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Space Cowboys |
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You could line up the jokes from here to
the moon. I’ll submit just one. Space
Cowboys is Armageddon on
Geritol. The four members of Air Force Team
Daedalus were slated to comprise the first
US "outer atmosphere exploration"
mission in 1958. Hit-and-miss success in
test runs and a bad track record for
keeping planes intact contributed to their
being sidelined in favor of a "new
civilian operation," namely, NASA. Forty years
later, Team Daedalus is called
back together (amid myriad "old-timer" quips)
to perform a critical repair on
Ikon, a Russian satellite with antiquated
technology and a rapidly decaying
orbit. Around this point the plot turns quite
tenuously, as it is beyond belief
that a shuttle crew would be sent into space
with as little information about
the object of their repair efforts as has Team
Daedalus. Plot weaknesses notwithstanding,
Frank, Hawk, Jerry and Tank complete the
mission with gusto, even though the
communications satellite turns out to be
more than they bargained for.
• positive elements: The "old guys" take
their aging well and are, in fact,
the originators of many of the good-natured
jokes about their age. In the end,
they prove that they’re still aware and
capable, and that the wisdom of years
is not to be discounted. Frank learns, after
forty years of getting it wrong,
to be a team player. A longstanding grudge is
righted. Young astronauts and
engineers learn that technology is not the
answer to every crisis situation.
Experience and common sense are valued
over degrees and titles. Gerson learns
that trying to cover up a past mistake
eventually brings consequences.
Self-sacrifice
is seen as the only answer to an otherwise
hopeless situation.
• spiritual content: Since leaving
the Air Force, Tank has become a country
church pastor. At first it seems that his
relationship with God is as dry as
his sermons (Frank finds him in the middle
of one at his small church). Tank’s
response when Frank asks him to rejoin
Team Daedalus is, "I’m receiving a word
from on high. The word is, ‘Why the he--
not?’" Through the rest of the film,
however, Tank is portrayed in a positive
(albeit somewhat flat) light. Before
the shuttle lifts off with Team Daedalus
inside, Frank respectfully asks Tank
to pray.
• sexual content: No shown or even
implied sex. But Jerry is and always
has been a ladies’ man. The opening
sequence shows him with a 1958 Playboy
(very tame by today’s standards,
but it’s still Playboy).
In a positive display of romance, Frank takes
advantage of being accidentally
locked in a dark garage and uses it as an
opportunity to be affectionate with
his wife. Rear male nudity is shown as the
guys receive their NASA physicals,
complete with all the innuendo and
embarrassment of having a female doctor as
the attending physician.
• violent content: Frank and Hawk
take their longstanding disagreement
outside to "settle it" with a schoolboy fight. A
couple of black eyes later,
the two nonchalantly return to work. A prideful
decision by one crew member
causes explosions that injure himself and
another man.
• crude or profane language:
Persistent mild profanity along with
about 20 s-words easily earn this film its
PG-13 rating.
• drug and alcohol content: Frank
drinks a beer while studying satellite
guidance system plans to solve the Ikon
problem. During a night off from mission
training, the guys hit the bar, though no one
becomes inebriated.
• other negative elements:
Blackmail is a significant plot-driver. Gerson
and Frank have had it in for each other since
Gerson pulled Team Daedalus off
the space project 40 years previously. Now
Frank knows that he (as Skylab’s
guidance system designer) is the only one
who can fix Ikon, and he holds it
over Gerson’s head to buy himself a ticket
into space. Also, in the “gross-out”
category, be warned: a teenaged boy loses
his lunch (in disgustingly slow motion)
when Hawk takes him for a wild plane
ride.
• conclusion: While Space
Cowboys tenaciously reminds younger
generations
that “gray-beards” often have more to offer
than we give them credit for, I
feel I need to risk spoiling a bit of the plot to
bring up one final important
point. Hawk, who is dying of pancreatic
cancer, gives his life to save the rest
of the team and possibly the earth. But his
sacrificial death isn’t as clear-cut
as it seems. If moviegoers stop to think
about it at all, it could lead to either
of two conclusions: a) people with great
physical weaknesses or disabilities
can still be heroes, or b) it’s okay that he
died, because his life was already
fading anyway. I wouldn’t say that the latter
conclusion is the one that director
Clint Eastwood intended to inspire, but given
current cultural programming,
it’s easy to come away with that feeling. And
that kind of thinking has serious
implications for how we regard the sanctity of
life. Still, it’s the perpetual
conversational swearing that keeps this
mission on the ground for families.
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