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Bicentennial Man |
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Based in part on two stories by Isaac Asimov,
Bicentennial Man follows the 200-year
life of a robot searching for identity, friendship,
love and ultimately, humanity. Programmed to
be a domestic servant, the robot (named
Andrew by his master) learns that he is more
than just a machine. Be it faulty programming,
loose wiring, or just positronic anomaly,
he—unlike his fellow robots—has a unique
personality, will and feelings. Over the years,
"upgrades" provide him with enhanced facial
expression, then a human-like skin, then even
a central nervous system. But he's still a
robot. So he sets out on a journey to
become recognized as fully human. He's even
willing to pay the ultimate human
price—death.
Positive Elements: Andrew's
existence and struggle to become human
becomes a word picture illustrating the
intrinsic value of life. The beauty of individuality
and the preciousness of family, friendship and
love lie at the core of this film. Sir instructs his
family that they must respect Andrew as if he
were a person. He wants to teach them that
they must respect the things they own. That
instruction paves the way for Andrew to
interact with "his family" in an increasingly
personal manner. Early on, when Andrew
breaks Little Miss' favorite toy horse, he
teaches himself how to carve, then creates a
new figurine for her. His action, inspired by the
first glimmers of love starting to emerge in his
"neural net," forges a bond that lasts through
the generations.
Of course Andrew remains fully functional
while everyone he loves slowly ages and dies.
He wants to figure out a way to keep humans
alive forever, but a long conversation with
Portia shows him that he'll never get his wish.
She explains to him that even though she
loves him, she wouldn't want to be immortal
even if she could. She's convinced that
humans are constructed, both physically and
mentally, to live a certain number of years and
then pass on.
Andrew is kind to everyone he meets. He
sees it as his duty to encourage and help
those around him. He is programmed to be
honest at all costs. He is programmed to
prevent harm from befalling those in his
charge. He carries these and many other
excellent qualities with him after he is granted
his "freedom" and transformed into a "man."
Spiritual Content: One cannot
explore a story such as this without raising the
issue of eternal souls. Andrew aspires to
humanness, and humans have souls given to
them by God. It is assumed through dialogue
late in the movie that somehow Andrew has
"grown" a soul and has achieved a state
worthy of eternal life. Without making too
sharp a point of it, this plot device may lead
some children to conclude that one's soul is
less a gift from God than an evolved state of
being.
Sexual Content: Early in the film
Sir gives Andrew a lecture on "the facts of life."
Andrew's reaction? "Isn't it rather messy?"
Later, he and Rupert discuss sex when
Rupert develops an anatomically correct "skin
upgrade" for robots. Without devolving into
explicit dialogue, their conversation conveys
the euphoric, intangible "ecstasy" associated
with sex. Andrew's description of how he
pictures sex includes a belief that sex "feels"
the best when shared with a person one loves
and cherishes forever. He compares the
pleasure experienced during sex to going to
heaven and coming back alive. After his
upgrades are complete, he and Portia
consummate their relationship (they can't get
married because he isn't human) and live
together for the rest of their lives.
Violent Content: None
Crude or Profane Language:
Minimal except for a completely inappropriate
sequence in which Rupert teaches Andrew
how to swear (the s-word is used seven times
in quick succession).
Drug and Alcohol Content: Sir
and his wife sip wine on one occasion. Rupert
drinks a beer.
Summary: Andrew's struggle for
"human rights" conjures strong images of the
racial struggles that have plagued mankind for
centuries. His wish is to be treated as a
human being brings to mind the speeches of
Martin Luther King and others like him who
have sought so valiantly to stand shoulder to
shoulder with their fellow man. It's a noble and
just cause, and this film proffers a worthy
allegory for it. Meanwhile, Andrew's struggle
for love mirrors that of all people, providing a
tender showcase for moviegoers to revel in
the exquisite beauty of relationships,
God-given emotions and basic human
needs.
The film's length (over two hours) and
moderate pacing will prove daunting for
younger children, while the needless exercise
in profanity should dismay parents. Perhaps
waiting for this movie to come out on video
and exercising the fast-forward button on the
remote may be the most effective way to get
the most life out of Bicentennial
Man.
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