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See Spot Run |
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A single mom and the sloppy mailman who
adores her. A big-muscled, tenderhearted FBI
agent and his obedient canine partner. Two
painfully stereotypical Mobsters with an
embarrassing assignment. And one adorable
kid named James who has only two needs in
life: a little bit of fun and a father who loves
him. Throw them all in the back of a mail truck,
wipe out a couple of fire hydrants, beat the
criminals senseless, let the good guys
emerge unscathed, and you’ve got See
Spot Run.
James and Stephanie live a happy,
hygienic life as a single parent family. Down
the hall from their apartment, Gordon lives the
carefree but not-very-purposeful life of a
bachelor. When business takes Stephanie
away overnight, Gordon is called upon to
serve as babysitter—against Stephanie’s
better judgment.
Elsewhere, An Italian crime boss puts a
hit out on the FBI Agent Eleven, who happens
to be canine, and who is easily the film’s
smartest character. Of course the two story
lines collide, and a little boy whose life is too
structured for fun ends up falling in love with a
dog who’s in the same predicament. Along
the way, the bad guys get busted (in the head,
in the rear, in the back and by the law),
Gordon gets a clue and James gets a chance
to have the family he’s longed for.
•
positive elements: Stephanie has set
very clear boundaries for James and he
respects them. Though the filmmakers make
a point of having Gordon teach James how to
loosen up, they don’t imply that Stephanie’s
discipline is wrong—just that it needs to be
balanced by fun. No hints are given as to
why Stephanie is a single parent (and
no moral judgments are implied), but
James’s resulting need for a dad is deemed
natural and proper. See Spot Run even
goes so far as to imply that James is looking
for a man of good character: dependable,
trustworthy, loyal. And don’t forget fun.
Through his adventure in babysitting,
Gordon learns that living a responsible life
might not be as bad as he had feared. Though
his bachelor’s life gives him a great deal of
freedom, it doesn’t give him the sense of
purpose or belonging that being committed to
family would. To James’s inquiry about
whether Gordon will marry Stephanie, Gordon
replies, "Marriage is a big step. You really
gotta get to know someone before you do
that." After James overhears an overwhelmed
and scared Gordon lashing out at Stephanie,
a sweet scene shows Gordon taking the time
to explain his actions, admit that he was
wrong and ask for forgiveness—a great
example!
•
spiritual content: Gordon’s friend
Benny teaches Yoga, but it’s clear that his
form of exercise has more to do with break
dancing than spirituality. Benny also quips that
the Psychic Friends Hotline would be a better
source of relationship advice than Gordon is,
implying that both have a few loose screws.
•
sexual content: A female FBI agent
appears in sexy pajamas, with some cleavage
showing. Two female dinner guests of Mob
boss Sonny Talia wear revealing outfits. When
Spot goes after the Mobster, he always goes
for the crotch. Talia ends up with two artificial
testicles (which happen to be ball bearings
that click when he walks). Gordon accidentally
loses his boxer shorts, and it’s implied that he
repeatedly flashes two police officers. There
are a handful of sexual double entendres that
may make adults squirm, but will probably fly
right over most kids’ heads.
•
violent content: Lots of comic
violence. As a mailman, Gordon has an
Inspector Gadget-inspired arsenal of
dog-evading equipment, which he uses to
sideswipe his canine opponents. There are
car chase scenes and crashes, shots fired at
dogs, verbal threats from the Mafia, a shoving
match between Gordon and two hearing
impaired young women, several falling
scenes and a couple of broken fences. First
Gordon and then Talia are shocked by Agent
Eleven’s electric dog collar. The climax is a
pet-store face-off between Agent Eleven and
the Mob, complete with biting piranhas, a
double-dog clothesline move, and the total
annihilation of every shelving unit in the place.
•
crude or profane language: Four or
five mild profanities and about as many
misuses of the Lord’s name.
•
drug and alcohol content: Benny and
Gordon have beer in their apartments. Gordon
suggests (not exactly jokingly, just stupidly)
that he and James might "have a couple of
beers." He also has a "Miller Cerveza" sign in
his apartment. Talia has wine with his dinner.
A female FBI agent pours wine for herself and
another agent.
•
other negative elements: Gross-out
scenes go along with the comic violence. A
dog wets a mobster’s leg, Gordon forcefully
spits out a mouth full of chewed-up cereal, a
zebra’s passed gas meets a lighted match,
etc. An extended dog poop gag ends with
Gordon covered in the stuff.
Police officers (but not FBI agents) are
portrayed as bumbling goofballs—not very
helpful or respectable.
•
conclusion: If, back in 1990, Chris
Columbus had realized what Home
Alone’s excessive doses of comedic
violence would do to the world of kids’ films, I
sincerely hope he’d have thought twice before
putting it on the screen. Since then, it seems
that if a kids’ movie is going to be both
adventurous and funny, it has to pay homage
to McCauley Caulkin and Joe Pesci. It’s
getting old. It would be one thing if the
slapstick cruelty were peripheral, but for some
reason, filmmakers are under the impression
that they can keep building entire
movies around it. What happens is that the
elements that ought to be the meat of the story
end up trivialized and confined to the margins.
Such is the case with See Spot Run.
James is a cute kid you can’t help but like. And
the movie holds a handful of appealing and
much-needed pro-family messages. But the
overload of glossy violence makes them
hardly worth seeing. I’ve had my fill of
Home Alone wannabes; it’s time for
Hollywood to find a new way to craft
kid-friendly movies.
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