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Max Keeble's Big Move |
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What do a birthday cake frosted
by a 3-year-old, a 25-year-old pavement
job that was contracted out to the lowest
bidder, and a lawn mowed at two in the
morning have in common? They’re all likely to
be uneven and sloppy. Much the same can be
said about Max Keeble’s Big Move.
Part sitcom, part slapstick, part
situational ethics manifesto, Big Move
hurls moviegoers into the wacky world of savvy
seventh grader Max Keeble. Not that his
smarts have been too helpful. No matter
which way he turns, torment lurks for Max. His
old friend Troy has become a leather-clad
bully who scrawls the name of his daily victim
on his T-shirt. Former millionaire investor (at
the age of 10 he cleaned up; at 12, he’s
washed up) Dobbs steals students’ lunch
money and charges them for using the
restroom. Max’s teachers are either slinky
supermodels or shrewish disciplinarians. And
then there’s scheming Principal Jindraike,
who sees his students as nothing more than
rungs "on the ladder to my success."
Fed up with being pounded by bullies and
unfairly punished by the principal, Max devises
the perfect plan: sabotage the school with
enough Home Alone-style to make
Macaulay Culkin cry, then take advantage of
his family’s move to Chicago to escape the
consequences. He enlists the help of his
best friends Megan and Robe (so named for
his favorite outerwear) to sow mischief. But
he’s on his own in his attempt to win the heart
of Britney Spears clone Jenna (theme music
included). Naturally, Max’s carefully crafted
scheme falls apart when he discovers at the
last minute that the big move which everything
hung on won’t take place after all.
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positive elements: Max wants to
thwart Principal Jindraike’s self-centered
plans to obliterate an animal shelter and
swindle the school’s faculty and staff so he
can get a promotion. The injustice of
teachers, Max’s father’s spinelessness with
his boss, and the cruelty of bullies are all
painted in a bad light. The friendship between
Max, Megan and Robe gets held up as a
precious ideal. Despite the fact that they all
lack popularity, the three hang together
through thick and thin. Max saves Robe when
he gets locked in a display case by a bully. Megan and Robe hang around Max even after
he takes a bully-induced dumpster dive. [Spoiler Warning] Even though Max deserts
them on his "last day in town" to dance the
night away with nymphet Jenna, his friends
come to his aid when Troy and Dobbs
threaten to send him to the hospital. The
budding romance between Max and Megan is
portrayed as more genuine than the flighty
affection Jenna offers.
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sexual content: Not only does the
tune "... Baby One More Time" pop up
whenever Jenna appears, but the sultry
ninth-grader seems determined to replicate
Britney Spears’ skin-tight attire. Camera work
and scene setups reduce her to a
fashion-plate sex object. She only falls for Max
after he begins his destructive mischief. A
comely science teacher lectures her class
about pheromones, much to Robe and the
rest of the boys’ delight. Sabotaging Principal
Jindraike’s daily video broadcast to the
school, Max arranges for the words, "I’m
wearing a thong" to appear behind him.
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violent content: Hong Kong kung fu
action meets Malcolm in the Middle. It’s
one big fast-action, slapstick cartoon. The film
opens with an extended dream sequence
wherein the Evil Ice Cream Man tries to blast
Max off his bike with ice cream scoops shot
out of a giant truck mounted "cone-gun." They
rampage through the streets in a frenetic
chase before battling it out hand to hand. Max
strikes the Ice Cream Man in the crotch with a
newspaper, then blasts him 20 feet in the air
with a The Matrix-worthy chop.
Though we never actually see bullies hit
their victims, they use physical intimidation to
full effect: Max gets thrown into a mud puddle
and it’s implied that he’s chucked into a
dumpster. When the Evil Ice Cream Man
harasses Max on his paper route in real life,
Max hurls a paper at his head. Max then pits
Dobbs against the Evil Ice Cream Man, a
confrontation that ends with Max using a crane
to seize the ice cream truck and dump
hundreds of gallons of melted ice cream over
both of them. During his grand retaliation
spree, Max starts an all-out food fight in the
school cafeteria. After having his ever-present
breath spray spiked with stolen pheromones,
Principal Jindraike gets attacked by a squirrel
that crawls down his pants and bites his
crotch. He’s also chased by a raging
stampede of animals that loves his
pheromone breath.
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crude or profane language: No
profanity. Just rude expressions. A girl calls
the Evil Ice Cream Man a "fart-knocker." After
learning about his family’s impending move,
Max yells at his parents, "This bites." During
the food fight, he and Robe make a mustard
spraying machine out of a tuba and leaf
blower, then declare, "Let me tell you
something about this school: It blows!"
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drug and alcohol content: None.
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conclusion: Max Keeble’s Big
Move represents junior high about as
much as MTV’s The Real World represents, well, the real world. Not that it’s
supposed to. Still, this isn’t even close to fair. Constant excitement. Passionate romance. No homework, ever. Uprisings by
students. And a place where children parent
their mothers and fathers. The most troubling
element here isn’t violence or crude language,
but the film’s blurred ethics. Most of the adults
in Max’s life are either passive fixtures, idiotic
dweebs or unjust dictators. Principal
Jindraike marches around shouting, "You
there! Cease! Do you think this is a fun
place?" He even knocks a student’s books
onto the floor. Max comes late to class after
being unceremoniously dunked in a toilet by
Troy and Dobbs and gets reprimanded by his
teacher. "You’re tardy and dripping," she
snaps. "I have rules against both. Without
rules, society will collapse." In the real world,
Max would have told his parents about his
teacher’s unfairness and they would have
called a conference. But since his mom’s
obsessed with being the perfect interior
decorator and his dad prances around in a
lobster suit all day, that’s not an option for
Max. So he decides that the "rules"
have to end.
After kicking the aforementioned teacher’s
globe off of her desk and cutting her telephone
cord so she can’t call the principal, he wreaks
havoc for the next hour of the film under the
guise of "justice." According to this logic, the
fact that Jindraike is a cheating jerk warrants
breaking and entering, destruction of property,
theft, assault and all sorts of malicious
pranks.
Max does experience a change of heart
after discovering that he’ll have to face the
music for all the damage he’s done. He
quickly decides to take the school janitor’s
advice: "Any kid can make a mess. It takes a
man to clean it up." But what does his
"cleaning up" involve? Confessing his
culpability for the pranks and openly battling
the evil principal instead of fighting covertly.
Hardly a sanctified change of heart. In
apologizing to the janitor, he rationalizes, "I’m
really sorry about the cafeteria, but Jindraike
can’t get away with what he’s doing." When
Troy and Dobbs find themselves dangled over
dumpsters by a pair of burly football players,
ready to get their comeuppance, Max
intercedes for them. "We’re no better than the
bullies if we do what they do," he pleads.
When the question comes, "What should
we do then?" Max shrugs, "Let them go." In accordance with his wishes (wink, wink),
the bullies find themselves "released" into the
refuse.
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