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Man on the Moon |
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Man on the Moon is a biopic of the late
Andy Kaufman, probably best known for his
role as the gentle, slightly off-center mechanic
Latka Gravas on the TV show Taxi.
Kaufman was variously described as a
guerrilla comic, a dadaist comedian and a
nihilistic elf, and, assuming this movie is
essentially true, he was also a prima donna
and an all-round not-very-pleasant person. For
anyone whose only memory of Kaufman is his
Latka character, this film is an
eye-opener.
Positive Elements: As a child,
Andy Kaufman was eccentric, but he had the
self-determination to pursue his dream and
not let others' preconceptions discourage him.
In his early years, there was a genuine sense
of childlike wonder in his performances.
The only other positive elements come in
through the back door: the movie shows that
art, particularly so-called performance art, can
become so nihilistic and decadent that even
the usual defenders of art for art's sake
become disgusted. Kaufman became such
an odious prankster and hurt so many people
in the process that when he told his agent and
friends he had a deadly form of lung cancer,
they didn't believe him, proving that the
self-centered man can count on only himself
when times become tough.
Spiritual Content: Kaufman was a
practitioner of Transcendental Meditation, and
numerous scenes show him interacting with a
guru and other practitioners of this Eastern
religion. The movie implies that Kaufman's
breakthrough performance on Saturday
Night Live in 1975 comes as a result of his
guru's inspiration. Late in the story, Kaufman,
who died of a rare form of lung cancer, goes to
a New Age healer to be treated with crystals.
At the end of the story, he travels to the
Philippines for the services of a "psychic
healer." In a moment of epiphany, Kaufman
sees that this "healer" is really a fraud, a
sleight-of-hand artist, and for the first time in
his life he realizes what it feels like to be on
the butt-end of a bad joke.
Sexual Content: Kaufman has a
close relationship with a woman named
Lynne Margulies, but it's unclear if they ever
get married. They appear together in bed, but
fully clothed. Kaufman appears on a stage
with topless dancers while playing one of his
comic creations, the obnoxious Las Vegas
lounge singer Tony Clifton. The film also
includes a brothel scene and several
instances of sexual innuendo.
Violent Content: One of
Kaufman's shticks was as a professional
wrestler, usually fighting women. (That's how
he met Margulies.) He "graduates" to
wrestling against men, particularly
professional wrestler Jerry Lawler. Numerous
scenes of wrestling violence are shown,
including people being dropped on their
heads.
Crude or Profane Language:
Nearly two-dozen uses of the f-word, s-word
and other crudities. Doses of milder profanity
are also injected.
Drug and Alcohol Content:
Kaufman frequently performed in comedy
clubs, and the movie shows patrons drinking
and smoking.
Other Negative Elements:
Kaufman seemed to delight in angering his
audiences and he shows an apparent cruel
streak in taking pranks to the point that they
genuinely hurt people. His goal was not to
entertain audiences but to entertain
himself.
Summary: This movie is
fascinating in the same way that a circus freak
show is fascinating. Kaufman could have
been genuinely ground-breaking and funny.
His Latka character, his Elvis impersonations
and his put-on stage fright all generates
laughs, but there's too much obnoxious
material to wade through to enjoy them.
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