 |
|
 |
 |
Joe Dirt |
 |
Imagine for a moment that
Auto Trader magazine sends Joe Dirt a
questionnaire asking him to write down what
he most likes in life. His answers would have
to include at least a few of the following:
Lynyrd Skynyrd, cigarettes, tank tops, Eddie
Money, chain-link steering wheels, Van Halen
("not Van Hagar"), ripped-up jeans, fast cars
and faster women. That’s our hero, Joe Dirt.
Every possible stereotype for those the movie
dubs "white trailer-trash" is used, abused and
used again. Seeing Joe’s mullet hairstyle, a
radio D.J. ribs, "[Are] you so ingrained with
white trash DNA that your facial hair grows in
all white trashy like that?"
Dumped and abandoned like a paper
plate of half-eaten Nachos at the Grand
Canyon when he was only eight years old, Joe
Dirt bounced around abusive foster homes
the rest of his childhood. As an adult he
doesn’t
fare much better. Odd jobs keep him alive. A
chunk of meteoric rock is his only friend (and
even that mass of inert matter eventually lets
him down). Poor Joe Dirt. He’s called
"retarded," "stupid," "queer," "dirty," and a
"waste." But Joe doesn’t despair. He won’t
give up. He knows that if he tries hard enough,
good things will happen. And the way he
figures it, the best way to get on the right train
is to hop a freighter and go look for his
long-lost parents.
•
positive elements: Joe’s positivity in
the face of adversity regales all common
sense and reason. On one level it’s just plain
silly. On another, it’s a great moral lesson for
despondent teens. And Joe Dirt knows
it. The movie actually moralizes on its own
moral lessons. Tongue-in-cheek to be sure,
but the message remains. Joe’s quest to find
his parents leads him on a crazy journey
around the country. It also leads moviegoers
to a singular truth: Parents serve more than a
biological function. They can make or break a
young person’s life by how they act, how they
think and how they raise—or don’t raise—their
kids. Also, friendship is celebrated and
picking on the "dumb kid" is condemned.
•
spiritual content: Profane at best. Joe
says one of his foster moms used the threat
of Jesus coming back to keep him from
masturbating ("You don’t want to be doing that
when Jesus comes back do you!")
•
sexual content: Innuendo and
sophomoric titillation rule much of the film. It
includes jokes about masturbation,
homosexuality, bestiality and incest. Several
girls show lots of cleavage. Joe flaunts his
body too, posing seductively (sans shirt) for a
lady at a carnival. The pair end up in bed, their
sexual activity so rambunctious the shack
they’re occupying pitches and rolls like a
catamaran at sea. The encounter takes an
even darker turn when Joe reveals that he
thinks the woman is his sister (she’s not).
Holding a town hostage with an atom bomb
strapped to his back, Joe uses his new-found
power to force a woman to take off her shirt.
"Show me your b--bies," he says (audiences
catch a brief glimpse from the side).
Equally disturbing is a scene which
spoofs 1991’s The Silence of the Lambs
by portraying Joe held captive by a
psychotic, cross-dressing killer. Crude jokes
are later loosed about how the man sexually
mistreated Joe.
•
violent content: Cartoonish violence
throughout. Joe gets pushed around. Hit.
Thrown. Beat up. And bullied. Then one of the
men who beats him up gets his
comeuppance when he’s engulfed in flames
after urinating on a fire. A
young Joe ties bottle rockets to cows’ tails and
lights them. An older Joe shows another man
how to mix up a big bang with lighter fluid,
gasoline and bottle rockets. Then, in a dream,
he imagines setting off a nuclear explosion
which vaporizes the man. Gunfire punctuates
a couple of scenes. Joe gets bitten by a
crocodile after putting his head into the
beast’s mouth. A bungee cord accident
results in a serious head wound (from which
Joe recovers quickly). Joe's girlfriend, Brandy,
has a drunk father who gets his foot caught in
a train track right before a train rattles by (he's
shown later missing a leg).
•
crude or profane language: A
half-dozen s-words are laced through a bevy
of sexual slang and "hillbilly" profanities. About
15 misuses of the Lord’s name.
•
drug and alcohol content: A joke
about "bong water." Joe smokes cigarettes.
Brandy’s father is an unrepentant drunk,
shown downing cans of beer. Joe gets high
when he inhales too much insecticide. It’s
implied a couple of times that Joe chews
Skoal (once he quips that he gives a girl a
mouthful when he kisses her).
•
other negative elements: Flatulence
humor and sight gags that center on
excrement invade viewers’ sensibilities
several times. Also, one painful scene depicts
a dog trying to free his testicles which have
been frozen to the floor. Joe and Brandy use
warm water and a spatula to assist him.
•
conclusion: Just foul enough to make
you squirm. Just funny enough to make you
want to pretend its all okay. Just Shoot
Me’s David Spade pulls off the Joe Dirt
acting thing cleanly, it’s the script he wrote that
stinks. A few feel-good moral lessons are
never reason enough to wallow in Spade’s
sorry brand of humor—on TV or at the movies.
Bury Joe where it belongs. In the dirt.
eNewsletter
Mobile
Magazine
|
 |