 |
|
 |
 |
Drumline |
 |
Imagine a world in which the biggest draw to
collegiate stadiums is the battle between
marching bands, not football teams.
Imagine a world that allows these bands
unlimited time to compete, oblivious to
referees’ whistles and flags. Then imagine
70,000 fans not using halftime to secure a
hotdog or visit the restroom, but focusing their
undivided attention on the field. Drumline
pictures just such a world.
Devon is a hotshot drummer, fresh out of
high school and highly recruited by Atlanta
A&T. But he carries a "big" secret: He can’t
read music—a violation of AA&T’s cardinal
rule. Still, he plays so well by ear that he’s
able to hide it. AA&T has an extraordinary
marching band headed by band director Dr.
Lee. Lee delegates power to section leaders,
giving them the authority to train students
using a military boot camp approach. Section
leaders come across as drill sergeants,
doling out pushups and cleaning details as
punishments. Lee’s old-school style isn’t
restricted to his classical command structure.
It also affects his music choices. He prefers
songs such as "Flight of the Bumblebee" over
tunes currently positioned on
Billboard’s singles charts; a quirk that
frustrates faculty and fans alike.
Until Devon arrived on the scene, a boy
named Sean had been the band’s best
drummer. But now this talented newbie is
threatening his ego, not to mention his
authority as percussionist section leader. It
doesn’t help that Devon sports a big-time
’tude and fancies himself a Don Juan. But
AA&T needs Devon if they’re going to
knock out the perennial BET Big Southern
Classic reigning champion Morris Brown
College.
•
positive elements: When I was in
school, band members were never given the
respect they deserved. Drumline
swings the pendulum as far the other way as
possible, making talented band members the
big men—and women—on campus. It’s as if
quarterbacks wished they could play the tuba.
While a happy medium would be nice, this
picture does make being in the marching
band not only seem worthwhile, but
something young musicians should aspire to.
And that’s not a bad message at all. The
scenes featuring the bands competing portray
first-class talent. In addition, Devon cares for
his mother. He gives her flowers at his
graduation. He calls her on the phone. And
when he meets his father who abandoned the
family, he’s quick to boast that he’s never
been arrested and has earned a college
scholarship. He wants his dad to realize he’s
beaten the odds. When Devon fails to wake up
his roommate for early practice, the whole
band is punished by running laps—helping
underscore the idea of teamwork. After Morris
Brown’s band leader attempts to bribe Devon
with an MBU scholarship in exchange for
information about Dr. Lee’s plans, Devon
refuses to compromise. [Spoiler
Warning] Originally enemies, Sean and
Devon become friends. I should note that
although that’s a positive thing, it also feels
forced and unnatural.
•
spiritual content: The band warms up
to "When the Saints Come Marching In" on the
first day of band practice. On one occasion Dr.
Lee looks heavenward as if to thank the
Lord.
•
sexual content: Two nightclub scenes
feature students freak dancing. Female
dancers often don short-shorts and extra-tight
tops. Sensual dance moves (with camera
angles calculated to accentuate them) are
included in the bands’ routines. Sean claims
that "playing drums is like making love—you
can’t be looking down, getting your flow right."
Coaching a fellow student in proper drum
technique, Devon asks him, "When was the
last time you got some?" He explains that you
should "love your drum," demonstrating his
point by grinding on the apparatus and letting
loose sexual moans. Fortunately, Devon and
his girlfriend don’t end up in bed, they just
share a passionate kiss.
•
violent content: During a
between-school drum battle, an opposing
drum major throws a punch at Devon,
resulting in a on-field melee.
•
crude or profane language: There are
no fewer than a dozen s-words, plus a
number of milder profanities. A bus driver repeatedly speaks of students "spanking that a--."
•
drug and alcohol content: At a party,
students hold cups that may be filled
with alcohol. A bus driver tells his passengers
the band director needs a shot of booze
because of his unpopular musical
selections.
•
other negative elements: When Dr.
Lee asks his band class if they would prefer to
perform the music of LL Cool J or Snoop
Dogg over more traditional band tunes, the
students enthusiastically conclude they would.
In one scene, Dr. Lee confronts Devon about
lying on his application when he claimed to
read music. Devon retorts, "I didn’t think it was
that big of a deal."
•
conclusion: Drumline doesn’t
push the PG-13 boundary very hard, but that
not saying very much these days. It still allows
for abrasive profanity, sexual jokes and
sensual moves. But it’s not just objectionable
content that one has to navigate. The
filmmakers haven’t really given us characters
we can solidly root for. Devon is a hard guy to
like. Of course, we’re not supposed to like him
at first because he’s all attitude and
cockiness. Those things mellow and he does
become more of a team player. But he’s still
self-centered and shallow. He’s definitely not
trying to change the world or even his school
(which would have been nice). He’s just trying
to be the best drummer at Atlanta A&T. Should
we really be forced to care?
|
 |