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Dungeons & Dragons |
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Plaid pants and pistachio carpet were still in
vogue when Gary Gygax and David Arneson
created what came to be the biggest-selling
role-playing game ever: Dungeons &
Dragons. With it, they created a medieval
fantasy world for impressionable minds to
enter. Characters either play, or encounter
wizards, sorcerers, dwarves, elves, mages,
monsters and demons. That was 1974.
Twenty-six years later, it is estimated that 160
million people worldwide have played
D&D.
The downside of D&D has been
debated since its inception. But for the
purpose of this review D&D (the
role-playing game) will serve only as
background. Dungeons & Dragons (the
movie) is left here to stand or fall on its own.
So from here on out, D&D will refer
strictly to the motion picture, not the
game.
Dungeons & Dragons is set in the
ancient land of Izmer where lords oppress
their subjects and magic is relegated to the
aristocrats. Villainous mage Profion and his
goon Damodar have conspired to overthrow
the valiant Empress Savina. They lack but one
magical tool. They need to find an enchanted
scepter to tip the balance of power. When
Marina (a magician student loyal to the
Empress) and her new peasant pals Ridley
and Snails learn of the wicked plan, they set
out to capture the wand first. The stage is set.
Dark dungeons await. Fire-breathing dragons
lurk. Lost treasures loom. Dreadful magic is
unleashed.
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positive elements: Good triumphs
over evil. Empress Savina fights for the
equality of all people in Izmer despite
opposition from the ruling class. In her
estimation, it’s a man’s character that
determines his worth, not his bloodline or
social status. But such freedom comes at a
cost, and she is willing to sacrifice her own
throne for the cause. Marina sides with the
Empress and stands against Damodar and
Profion. Though hesitant at first, Snails and
Ridley join Marina’s fight against the
aggressor. Still, the pair instinctively distrust
her aristocratic bearing. So she pleads with
them not to judge her just because she is a
mage. "Just because some mages are evil,
doesn’t mean that they all are. I’m not!" she
exclaims. The adventure continues, and the
now-tight trio and a small contingent of
warriors put their lives on the line in their
struggle for justice. Ridley even manages to
subdue his thieving nature in the midst of
untold wealth (just as Disney’s Aladdin
resisted the temptation to steal treasures from
the Cave of Wonders).
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spiritual content: Marina is an
apprentice at a magic school. Indeed, her
whole world is infused with magic. Marina and
her comrades rely on invocations and spells
to escape their enemies. Profion seeks to
control the "immortal" power found in a
scepter. In grisly fashion, Profion summons a
demon-like creature to inhabit Damodar’s
body. An elf heals Ridley when he’s critically
injured. "We’re all part of magic," says the elf.
"Magic is the life force of our world, it keeps
nature and everything around us in balance."
Ridley converses with an "undead" skeleton
that tells him he must break the spell of a
scepter. When Ridley defeats the spell, it is
implied that he has the ability to raise people
from the dead.
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sexual content: A few women show
cleavage and wear revealing costumes.
Snails ogles an elf. Seeing his wandering eye,
a dwarf offers a snide comment about the type
of women he likes to bed, emphasizing his
words with sexual motions. A thief slaps
Marina on the backside and calls her a
"precious mortal." A female elf warrior wears
form-fitting steel armor that emphasizes her
chest. Ridley and Marina share a kiss.
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violent content: Intense at times, but
much of the action is shot in such dim light
that the details are obscured. Some scenes,
however, stand out. A fire-breathing dragon
scorches a man in an opening sequence.
When a portcullis decapitates the dragon, its
blood oozes into a river which bursts into
flame. Risking death, Ridley conquers a video
game-style maze of dangers, barely avoiding
getting burned, crushed and impaled. Coming
to Marina’s rescue, Ridley knifes a man in the
foot. Two men are stabbed in the back and
then thrown off high buildings to their death. In
a lingering shot, Damodar twists a sword into
Ridley’s shoulder. A few others sustain knife
wounds. A grotesque spin-off of Spock’s
Vulcan mind-meld (immortalized on Star
Trek) has a monster’s tentacles latching
onto Marina’s head to read her mind. A
combat scene finds dragons serving as
airborne bombers spitting fireballs at the
enemy. During the aerial battle, one beast
falls from the sky and is impaled on a steeple.
A villain meets his demise when a dragon
swoops down, opens his mouth and
consumes him whole. Snails stabs Damodar
to defend himself. Damodar breaks a
teacher’s neck. An arrow pierces a man’s
forehead. Characters engage in fierce
hand-to-hand combat throughout the film
using fists, axes, knives and swords.
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crude or profane language: A half
dozen minor profanities and crude
expressions (h-ll, d--n, bastard).
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drug and alcohol content: Ridley
orders alcohol at a bar. A thief sips wine.
Characters frequent medieval pubs.
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other negative elements: Ridley and
Snails are petty thieves. They take whatever
they want and justify it with statements such
as, "We might live outside the law, but we
respect each other." Snails says, "[Let’s] lay
low, come back and rob everybody." Ridley
learns his lesson and stays his hand when it
matters most, but Snails is incorrigible.
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conclusion: With its gripping special
effects and pseudo-medieval setting,
Dungeons & Dragons becomes a
not-so-subtle Star Wars rip-off.
"[D&D] is like Star Wars with the
flavor chewed out of it," wrote CNN reviewer
Paul Tatara. It also takes cues from
Indiana Jones (thanks to
special-effects supervisor George Gibbs who
won an Oscar for Indiana Jones and the
Last Crusade). When Ridley negotiates
the labyrinth, he finds himself confronted with
moving walls, encroaching spikes, giant
swinging pendulums and a treacherous
pathway filled with collapsing tiles (sound
familiar?). Ironically, such moments of
borrowed drama are the film’s
highlights. All too often Marlon Wayans
drab comedy shtick reappears and quickly
reminds audiences they aren’t watching
anything that even comes close to a classic.
Far too many scenes have Ridley and Snails
coming off like Dark Age incarnations of
goofballs Keanu Reeves and Alex Winter in
Bill & Ted's Excellent Adventure.
Dungeons & Dragons falls victim to that
evil Hollywood spell, derivation. This fantasy
tale of good versus evil does include
valuable lessons such as sacrifice, integrity
and loyalty. But if its recycled qualities don’t
keep families away, its skewed spiritual
elements and violence will.
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