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Cradle 2 the Grave |
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A diamond is forever. Especially a black
diamond. Never heard of one? Neither had
professional thief Tony Fait, who stumbled
upon the jewels while pulling off the heist of
his life. He and his associates Daria and
Tommy just ripped off the New York Diamond
Exchange to the tune of, well, whatever those
black diamonds are worth. You see, neither
Tony nor his fence Archie have a clue as to
their value. But Su, a Taiwanese intelligence
official with a secret grudge, does. And so
does shadowy underworld figure Ling, who
will stop at nothing—murder and torture
included—to get them. In fact, before you can
say De Beers, Ling has abducted Tony’s
8-year-old daughter, Vanessa. The deal is
simple: Ling gets the gems and Tony gets the
girl. But could the stones be something much
more than valuable trinkets? Say, secret
weapons of mass destruction? Nudge,
nudge, wink, wink. Forced to band together
and confront Ling, Tony and Su must solve the
mystery while cracking as many skulls as
possible.
•
positive elements: Tony is an
affectionate father who cares deeply for
Vanessa. Jewels and profit mean nothing to
him once Ling kidnaps her. Daria and Tommy
display remarkable loyalty to Tony, sticking
with him through every circumstance. At the
end of the film Tony’s crew pledges to eschew
further criminal activity and go straight.
•
spiritual content: Whenever Daria,
Tommy and Tony face a difficult situation, they
repeat the word "faith" to each other. Several
times during the film Tony recites a short
prayer for his daughter in which he asks
angels at the four corners of the globe to
protect her while she rests (a prayer that
alludes to a description given in Revelation
7:1). When he successfully rescues Vanessa,
he states, "I’m so glad the angels kept you
safe."
•
sexual content: In a couple of
situations Tommy and Daria use sexual
manipulation to distract people while Tony
breaks into buildings to steal. In a lengthy
conversation, Tommy teases a homosexual
guard with ribald come-ons (including
comments about penis size and
sadomasochism). One utterly misogynistic
scene features Daria stripping for a mark and
preparing to perform fellatio (audiences see
side breast nudity and extended rear shots of
her wearing only lacy underwear). When the
man suddenly realizes that Daria’s erotic
show is only a diversion, he brutally strikes
her in the face, knocking her to the ground.
Other scenes include a gangster eyeing a
copy of Hustler magazine, talk of
prostitution and prison rape, sarcastic
comments about cleavage, crude sexual
slang and lots of immodest clothing.
• violent content:
Think of Cradle 2 the Grave’s martial
arts action as having all the over-the-top
chop-socky action of a Jackie Chan
movie, but with gore. Bones shatter.
Combatants bleed. All kinds of props become
lethal weapons. Alleys, prison cells, posh
apartments, landing strips and other
locales turn into battlegrounds. Su uses his
violent prowess to extract information
from unwilling parties. One bloody scene
shows a barely-breathing man (with
a ruptured eye) suspended by a belt tied
around his neck. He’s later drowned
in an aquarium. A gangster is stabbed to
death
with a steel tine. Tony tears through the city
on wild car chases. Audiences
at illegal cage fighting matches hold up
plastic sheeting to keep themselves
from being spattered with blood. During a
bout seemingly yanked from the script
of Austin Powers in Goldmember, Su
grabs a foul-mouthed little person
and uses him to beat away assailants.
Archie tortures a man with a stun gun
(off-screen). When assaulted by an
earring-wearing brute, Su rips the ring from
his head, spraying blood on the ground.
Large caliber machine-gun fire cuts
a man down, while a woman gets blasted at
point-blank range with an Uzi. A man
is burned to death from the inside out when a
radioactive ingot is shoved down
his throat.
•
crude or profane language: The s-
and f-word crop up about 40 times each.
Lesser profanities bring the total close to 120.
Crudities and racial slurs make matters even
worse. God and Jesus’ names get abused a
half-dozen times. Obscenity-laden tracks by
hip-hop acts such as Eminem, Clipse and—of
course—DMX add even more noise to an
already messy movie.
•
drug and alcohol content: While
alcoholic beverages reside on quite a few
shelves in posh, thugged-out residences,
characters only imbibe occasionally. A
number of relatively minor characters smoke
cigarettes and cigars.
•
other negative elements: True to the
hip-hop ethos that allows rappers to praise
Jesus one moment and boast about offing
rivals the next, Tony is portrayed
sympathetically as a fervently praying,
child-adoring ruffian. It seems that audiences
are supposed to like him since he hugs
Vanessa and gives her sparkling diamond
jewelry (stolen, of course). The problem
should be obvious. No matter how "kind" and
"noble" Tony occasionally behaves, a few
good actions can’t negate all of his criminal
ones. A point that some viewers may miss
amid all the hyperkinetic hullabaloo.
• conclusion:
Cradle 2 the Grave delivers lots of
slickly choreographed machismo backed by
a thumping soundtrack. It also unloads
buckets of obscenity, shovelfuls of gore and
an awful instance of sexualized
violence. Of course, savvy filmgoers realize
that a movie in which a gangsta
rapper and a martial arts expert receive top
billing won’t be heavy on dialogue
and plot. There’s no doubt that the
presence of the ultra-popular, foul-mouthed
DMX helped propel this film to the top of the
Box Office opening weekend. Some
parents might not be familiar with the
career of Earl Simmons, aka Dark
Man X, but their teens certainly are.
DMX boasted on his last album,
The Great Depression, “How
many million did my last [record] sell?
[Expletive], I'm goin’ for 10. It's never
gonna stop.” Now his self-proclaimed
“domination” is spreading to
celluloid. Make sure your family members
aren’t citizens of his expanding
entertainment kingdom.
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