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Spy Kids 2: The Island of Lost Dreams |
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Siblings Carmen and Juni
Cortez, now an integral part of the OSS
spy-erarchy, are Level-2 secret agents
assigned to missions requiring their
preadolescent talents. In fact, there’s an entire
network of young operatives now
working hand-in-hand with their elders to keep
bad guys at bay. Two such agents are
opportunistic brats Gary and Gerti Giggles,
whose ambitious father is vying for the top job
at OSS against none other than Gregorio,
Carmen and Juni’s dad. Gary is a scurrilous
charmer who has Carmen fooled into thinking
he’s a dreamboat. The precocious Gerti
doesn’t bother concealing her contempt for
those she considers beneath her. Rivals
working on the same team, the Cortez and
Giggles sibs find themselves part of a
diabolical plot to rule the world. It strands
them on a mysterious island inhabited by
bizarre creatures birthed by an eccentric
geneticist. Their competitive quest for a
coveted cloaking device takes the children on
a video game-like journey filled with
dangerous encounters made all the more
difficult when a force field renders all of their
superspy gizmos inoperative. Carmen and
Juni must rely on their own instincts and raw
determination to conquer Harryhausen-esque
monsters and save the day. But they can’t do it
alone. Once again, it takes the efforts of the
entire Cortez family—including former OSS
spies Grandma and Grandpa—to finally set
things right.
•
positive elements: More great morals
about family unity. Juni has reached an age
when he seems to need his father’s help
less, which makes Gregorio feel put out to
pasture. Near the end of the film, Juni assures
his Dad that, in spite of his growing
independence, "I’ll always need you." Although
Carmen and Juni bicker and belittle each
other now and then, they share a deep love
and support one another when it matters
(Carmen even dives into the mouth of a
volcano to snatch her brother from certain
death). Any misunderstandings or petty
squabbles are resolved, and Juni even resists
gloating when Carmen admits that he was
right about Gary being trouble. When Gary
asks Carmen if he can dance with her, Juni
pipes up, "Family rules say you have to ask my
father for permission." When Gary horns in on
a rescue and wants to share glory with Juni so
that they "both look good," Juni tells him, "I’m
not doing this for looks." The rescue is of
Alexandra, the President’s young daughter,
who so desperately wants to know that her
Dad cares about her that she puts herself in
grave danger just to have him come to her aid.
Her alienation from her father is a message to
all workaholics to reconnect with their kids.
Juni is crushed when circumstances prevent
him from keeping a promise he makes to
Alexandra. He advises her to lovingly confront
her father about his failure to connect, and
keep the lines of communication open. Gary
argues that "a good spy makes no binding
connections with family or friends," a notion
which Juni rejects. Carmen says that, by
definition, "family is sacrifice." The
Cortez kids sacrifice themselves to save their
parents and their parents are ready to do the
same for them. Despite being on the outs with
his in-laws, Gregorio is also prepared to give
his life for them. Carmen and Gerti discuss
knowing what’s "right" and having the strength
to do it (which Gerti does when the moment
arrives). Juni’s kindness to a
half-spider/half-monkey pays off when the
creature saves him from another mutant.
When Juni tells Carmen that Gary is a young
man of questionable character, she replies,
"Maybe I know that. I think I can change him."
(While noble and optimistic, this same
dangerous assumption often leads Christian
teens to attempt "missionary dating."
Fortunately, the film shows it to be folly.)
•
spiritual content: Genetic scientist
Romero refers to wildlife as "God’s creations."
A recluse, frightened of the beasts he has
unleashed on the island, he wonders aloud if
God stays in heaven because He fears that
which He has created.
•
sexual content: None, though under
the closing credits Carmen takes the stage to
sing a pop tune that involves jiggy dance
moves and a bare midriff.
•
violent content: Lots of hand-to-hand
combat, physical humor and mild action
violence. At a formal dinner, villains drug the
adults and battle with the kids (hitting, kicking,
judo moves, etc.). Spoofing wild amusement
park rides and our culture’s lust for adrenaline
rushes, the movie’s opening scene features
ridiculously dangerous and violent rides (one
called The Vomiter showers bystanders with
barf). Carmen thwacks Juni rather hard with
an elastic band. Juni’s electronic "pet" named
Ralph gets squashed (presumed dead, he
reappears later merely wounded). Carmen
and Juni fight off an army of sword-wielding
skeletons, sending several careening off a
cliff. Before reaching the island, kids are
battered by a huge, two-headed sea serpent.
There’s a showdown between
computer-generated beasties. Gregorio and
Donnagon duke it out mano a mano. Carmen
punches Gary in the face.
•
crude or profane language: Once
again, Carmen gets away with an s-word by
saying "shiitake mushrooms" with a
strategically placed pause. But it’s more
blatant this time. Instead of a simple "Oh
shitake mushrooms," she tells Gary, "You are
so full of shiitake mushrooms." Aside from
that, the only expressions that would give
parents (of young children) pause are "my
butt," "poop," "kick his butt," etc. Carmen calls
Juni a "dope."
•
drug and alcohol content: Adults have
their champagne spiked with a sleep-inducing
drug. When offered a glass of bubbly, Juni
declines and tells the waiter incredulously that
he’s not supposed to have any.
•
other negative elements: A fully
equipped spy craft boasts an automated
nose-picker. Gary and Gerti are swallowed up
in a mound of camel dung (we see Gary spit
some out of his mouth). Even though it’s
meant to help her brother, Carmen illegally
hacks into the OSS computer to disrupt the
system and create deceptions.
• conclusion: The original Spy
Kids was a shockingly pleasant surprise and a big summer hit thanks
to amazing production values and family values. Look for more of the
same in the sequel. The gadgets and vehicles are still fun. A parade of old
and new characters keeps things interesting, helped by inspired casting (even
confined to a flying wheelchair, Montalban is a commanding screen presence).
Add cool creatures and subtle winks at classic fantasy films (Raiders of
the Lost Ark, The Lord of the Rings,
etc.), and parents will enjoy this adventure as much as kids will. A
few crude moments and the one quasi-profanity are disappointing, but for older
children and adults, Spy Kids 2: The Island of Lost Dreams provides more
entertaining, action-packed commentary on family ties.
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